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//Dulcian, Flute and Theorbo///
//Michael Freimuth//
/ //Annalisa Pappano///
//Renaissance transverse flute, theorbo & guitar
/
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— Monday, January 22, 2024 at 7:00 PM at St. Luke's Memorial Episcopal
Church in Tacoma
• THREE CENTURIES: THEORBO, GUITAR & FLUTE • *
Michael Freimuth (theorbo and renaissance guitar)
* Jeffrey Cohan (tenor and bass renaissance and baroque transverse
flutes)
St. Luke's Memorial Episcopal Church is at 3615 North Gove Street in
Tacoma
— Suggested donation $20 to $30 (a free will offering; please pay as
you wish)
www.salishseafestival.org/
http://www.salishseafestival.org/tacomatacoma
http://www.salishseafestival.org/tacoma
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Three Centuries: Theorbo, Guitar and Flute offers an unusual and
expansive journey through the repertoire for guitar, theorbo and flute
of the 16th, 17th and 18th centuries, including elaborate jazzed-up
versions of well known songs of the time, published by the incredible
wind instrument virtuosi of the late 16th century, along with canzonas,
sonatas and suites from Spain, Italy, England and France.
The program will include works by 16th century composers Diego Ortiz,
William Byrd, Giovanni Bassano and Girolamo Dalla Casa; 17th-century
composers Giovanni Paulo Cima, Girolamo Frescobaldi, Giovanni Battista
Fontana, Bartolomé de Selma y Salaverde and Giovanni Battista
Buonamenti; and 18th-century composers Arcangelo Corelli and André Chéron.
Admission is by suggested donation (a free will offering) of $20 to $30.
Those 18 & under are free. All are welcome regardless of donation. We
hope to see you at our opening 2024 concert on Monday evening!
MICHAEL FREIMUTH, coming from Kiel, Germany, is one of the most
sought-after lutenists in Europe. He has toured both as soloist and with
many of the most well-known European ensembles, conductors and other
soloists in Europe, the USA, Japan and South Korea. Dedicated to the
lute and guitar music of the 16th through 19th centuries, he has
collaborated with many well-known artists and conductors including C.
Abbado, I. Bolton, P. Dijkstra, R. Goebel, Th. Hengelbrock, M. Hirasaki,
K. Junghänel, E. Kirkby, A. Quarta, V. Luks, H. Max, R. Minasi, Ch.
Schornsheim, R. Wilson and many others. In recent years Michael Freimuth
has played in many opera productions throughout Europe including Cesti’s
Orontea, Rameau's Les Indes Galantes, Handel's Jephta, Rodelinda,
Agrippina and Mozart's Cosi under Ivor Bolton; Leclair's Scylla under
Václav Luks; Steffani's Amor vien dal destino and Handel's Teséo under
René Jacobs; and Handel's Rodelinda under Riccardo Minasi. He has
participated in CD recordings and performances with Concerto Köln and
the Academy for Early Music Berlin. His solo recording of previously
unknown sonatas by Michele Platano was released in 2017, and he has
recorded significant new lute works found recently in Rohrau Castle by
Silvius Leopold Weiss that he helped bring to light. He recorded the
entire cycle of Rosary Sonatas by Biber for Deutschlandfunk with
violinist Mayumi Hirasaki and harpsichordist Christine Schornsheim, and
“L'Arte della scordatura with Mayumi Hirasak”, which was released in 2020.