// Anna Pappano / Tacoma • 2018 /Salish Sea/ Early Music Festival JOHANNA PAPPANO /treble viol /////MICHAEL FREIMUTH baroque guitar //JEFFREY COHAN /renaissance & baroque flutes/ //*/• /*Buonamente • Sweelinck • Heudelinne • //*/• /*Lully • De Visee • Cheron Music for Treble Viol, Baroque Guitar & Flute Tuesday evening, January 23 at 7:00 PM St. Luke's Memorial Episcopal Church// 3615 North Gove Street Tacoma / Michael Freimuth *Tuesday, January 23**at 7:00**PM******* •/_please forward_/ *******• Treble Viol, Guitar & Flute •** *Anna Pappano ~ /treble viol/ Michael Freimuth ~ /baroque guitar/ Jeffrey Cohan ~ /renaissance & baroque flutes/** */ /**St. Luke's Memorial Episcopal Church* 3615 North Gove Street in Tacoma • suggested donation $15, $20 or $25 • 18 and under free • /www.salishseafestival.org/tacoma//* */Two phenomenal musicians from Kiel, Germany and Cincinnati visit Tacoma for this most unusual program of baroque music on period instruments to begin this year's festival Salish Sea Early Music Festival. /Treble Viol, Baroque Guitar & Flute/ features Annalisa Pappano from Cincinnati, one of the world's foremost players of treble viol, who also plays the pardessus de viole, lirone and viola da gamba and directs the Catacoustic Consort, and Michael Freimuth from Kiel Germany, one of Europe's most active performers on baroque guitar and theorbo, along with renaissance and baroque flutist and artistic director Jeffrey Cohan. The treble viol was widely used during the 17th and early 18th centuries but is extremely seldom to be heard today, as is also true of the renaissance transverse flute. This exploration of mostly French and Italian repertoire for treble viol, baroque guitar and flute from about 1625 to 1725 will present solos, duos and trios by Buonamente, Sweelinck, Heudelinne, Lully, De Visee and Cheron. Please note all seven of our 2018 programs in Tacoma from January through June. ****** ** *DONATE* <https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=TMNYFUHE96H7Q> //Please use the button above or, preferably, send donations to:/ /Salish Sea Early Music Festival/ (SSEMF) 20614 Maupin Road Mount Vernon, WA 98273// /~ 2018 SCHEDULE (tentative dates to be confirmed soon) ~ Tuesday, January 23, 2018 at 7:00 PM *• Treble Viol, Guitar & Flute •* Annalisa Pappano (Cincinnati) ~ treble viol Michael Freimuth (Kiel, Germany) ~ baroque guitar Jeffrey Cohan ~ renaissance & baroque flutes – An exploration of repertoire for guitar and two treble instruments with one of Germany's most active baroque guitarists and one of the foremost players of treble viol, pardessus de viole, lirone and viola da gamba and director of the Catacoustic Consort. ~ + ~ + ~ February (date to be confirmed soon), 2018at 7:00 PM *• Flute Trios •* Janet See ~ baroque flute Mindy Rosenfeld ~ baroque flute Jeffrey Cohan ~ baroque flute Jonathan Oddie ~ harpsichord – Fabulous baroque flute trios with harpsichord with renowned flutists Janet See, and Mindy Rosenfeld of the Baltimore Consort. ~ + ~ + ~ Tuesday, March 13, 2018 at 7:00 PM *• Four Part Canzonas 1585-1625 •* Anna Marsh ~ dulcian Courtney Kuroda ~ violin Stephen Criswell ~ viola Jeffrey Cohan ~ renaissance flute – An in-depth exploration of the rarely-heard Italian four-part canzona, inspired by four-part French and Flemish chansons, which blossomed in print from 1582 to 1628 concurrently with increasing activity among violin makers and players in Milan, Brescia and Cremona, and with the emerging "baroque" style. ~ + ~ + ~ Sunday, April 8 (tentative), 2018 at 7:00 PM *• The Instrumental Air de Cour •* Susie Napper ~ viola da gamba Jeffrey Cohan ~ baroque flute – The intensely moving and intimate vocal French air de cour inspired instrumentalists from the late 16th century and yielded trends that resonated still in the early 1700's. ~ + ~ + ~ Friday, May 18 (tentative), 2018 at 7:00 PM *• The Capable Virtuoso •* Carrie Krause ~ baroque violin John Lenti ~ theorbo & baroque guitar Jeffrey Cohan ~ baroque flute – Johann Mattheson's "The Capable Virtuoso", published in Hamburg in 1720, sets the tone for this program of trio sonatas inspired by Corelli and the idea that Italian, French, and German styles might be fused in an integrated musical style. ~ + ~ + ~ Friday noon, May 25 (tentative), 2018at 12:00 NOON *• Bach's Brandenburg Concerto •* Carrie Krause ~ baroque violin Jeffrey Cohan ~ baroque flute Jonathan Oddie ~ harpsichord Courtney Kuroda ~ baroque violin Stephen Creswell ~ baroque viola Anna Marsh ~ baroque bassoon – The 5th Brandenburg Concerto by Johann Sebastian Bach and other works for flute, violin, harpsichord and string chamber orchestra. ~ + ~ + ~ Monday, June 11 (tentative), 2018at 7:00 PM *• Frederick the Great •* Jefrey Cohan ~ baroque flute Oleg TImofeyev ~ baroque lute – Slvius Leopold Weiss, the most prolific and highly esteemed lutenist of the baroque and teacher of Frederick the Great, wrote sonatas for obbligato lute and flute from which this program branches out to explore music at the court of the flutist King Frederick II of Prussia. ~ + ~ + ~ /"A world of tender and brilliant magic ...// //A music so refined, it draws and draws, yet never swamps the senses ...// //"...such was the virtuosity and technical brilliance... I couldn't be quite sure I hadn't dreamed it all."/ — Elizabeth Courtney, *Music in Victoria* • islandnet.com/miv /"A lively and challenging programme ...elegant, thoughtful conversation between the instruments ... intellectually gripping and as full of nerve-tingling modulations. ... A widely expressive technique full of nuance and subtlety ... a stylish and very engaging ensemble. Their playing is impeccable in its ornamentation and articulation and sensitive to the emotional core of the music ... but beyond that they play with great verve and obvious delight in the music."/ — Elizabeth Paterson, *Review Vancouver* • reviewvancouver.org /"A remarkably intimate and refreshing experience. There was joy and love aplenty here, quite irresistible in its sense of innocence and spontaneity. Jeffrey Cohan has such quickness and dynamic range, such a keen control of accents, and such mastery at floating the soft limpid phrase that the combination with Stephen Stubbs’ own brand of structural solidity and insight gave us something pretty special indeed."/ — Geoffrey Newman, *Vancouver Classical Music* • www.vanclassicalmusic.com