Thursday, February 21 at 7:00 PM • please forward
• Guitar, Viola & Flute: Serenades from Beethoven's Time•
Oleg Timofeyev ~ guitar
Stephen Creswell ~ viola
Jeffrey Cohan ~ 8-keyed flute
Dear friends,
Tomorrow please join us for Beethoven-era sonorities only to be
experienced on period instruments, and some most unusual and exquisite
early 19th-century repertoire! Both the flute and the guitar were made
in 1820 in London and Russia respectively, and can be heard in the
followingrecordings of Drouet and Giuliani (please see links below),
with Jeffrey and Oleg performing on these instruments.
Please see also the following lovely reflections of our last
program, from a performance in Vancouver. We hope you'll join us
tomorrow (Thursday) for the /Serenade/, Opus 14 by Leonardo de Call
(1767-1815), the /Troisieme Serenade/, Opus 10 by Anton Bernhard
Fürstenau (1792-1852) and another /Troisieme Serenade/, Opus 7 (ca.
1810) by Joseph Küffner (1776-1856).
- - - - -
—Elizabeth Paterson, ReviewVancouver.org, January 31, 2019
"Set side by side, the fluid, vivid music of Handel
complementing and complemented by Bach’s rich, introvert poetry, the
sonatas illuminated the wide emotional range offered by the Baroque period.
"From the beginning, the douce sound of Jeffrey Cohan’s baroque
flute drew listeners in with charm and grace and was beautifully
balanced by Lenti’s clear-flowing guitar playing. Cohan mastery of the
flute was apparent throughout. Technically impressive with long,
artfully framed lines, it is with his subtle variations of gesture,
tempo and dynamics that he unties beauty and expressiveness. In this he
is ably abetted by John Lenti, whether playing gentle guitar or robust
theorbo, his realizations invariably reinforced the flute and adorned
the music. It was an evening elegant, unpretentious and altogether lovely."
—complete review:
http://reviewvancouver.org/co_ssemf_BaroqueFluteandLute2019.htm
- - - - -
LISTEN:
~ Mauro Giuliani's Maestoso from Serenade, Op. 127 with Oleg TImofeyev
(early 19th-century guitar) and Jeffrey Cohan on the 8-keyed flute by
George Rudall, London, 1820 (recorded in Kiev, Ukraine)
Giuliani's Maestoso from Opus 127
https://soundcloud.com/simphonie-nouvelle/giuliani-maestoso-from
~ Oleg TImofeyev and Jeffrey Cohan in Drouet's pyrotechnical variations
on God Save the King on these instruments.
Drouet's God Save the King
St. Luke's Memorial Episcopal Church
3615 North Gove Street in Tacoma
• suggested donation $15, $20 or $25 • 18 and under free • all
welcome! (a free will offering) www.salishseafestival.org/tacoma
Serenades at St. Luke's
//
*Thursday, February 21 at 7:00 PM* • please forward
• *Guitar, Viola & Flute*: Serenades from Beethoven's Time•
Oleg Timofeyev ~ guitar
Stephen Creswell ~ viola
Jeffrey Cohan ~ 8-keyed flute
Dear friends,
Tomorrow please join us for Beethoven-era sonorities only to be
experienced on period instruments, and some most unusual and exquisite
early 19th-century repertoire! Both the flute and the guitar were made
in 1820 in London and Russia respectively, and can be heard in the
followingrecordings of Drouet and Giuliani (please see links below),
with Jeffrey and Oleg performing on these instruments.
Please see also the following lovely reflections of our last
program, from a performance in Vancouver. We hope you'll join us
tomorrow (Thursday) for the /Serenade/, Opus 14 by Leonardo de Call
(1767-1815), the /Troisieme Serenade/, Opus 10 by Anton Bernhard
Fürstenau (1792-1852) and another /Troisieme Serenade/, Opus 7 (ca.
1810) by Joseph Küffner (1776-1856).
- - - - -
—Elizabeth Paterson, ReviewVancouver.org, January 31, 2019
"Set side by side, the fluid, vivid music of Handel
complementing and complemented by Bach’s rich, introvert poetry, the
sonatas illuminated the wide emotional range offered by the Baroque period.
"From the beginning, the douce sound of Jeffrey Cohan’s baroque
flute drew listeners in with charm and grace and was beautifully
balanced by Lenti’s clear-flowing guitar playing. Cohan mastery of the
flute was apparent throughout. Technically impressive with long,
artfully framed lines, it is with his subtle variations of gesture,
tempo and dynamics that he unties beauty and expressiveness. In this he
is ably abetted by John Lenti, whether playing gentle guitar or robust
theorbo, his realizations invariably reinforced the flute and adorned
the music. It was an evening elegant, unpretentious and altogether lovely."
—complete review:
http://reviewvancouver.org/co_ssemf_BaroqueFluteandLute2019.htm
- - - - -
*LISTEN:*
~ Mauro Giuliani's Maestoso from Serenade, Op. 127 with Oleg TImofeyev
(early 19th-century guitar) and Jeffrey Cohan on the 8-keyed flute by
George Rudall, London, 1820 (recorded in Kiev, Ukraine)
Giuliani's Maestoso from Opus 127
<https://soundcloud.com/simphonie-nouvelle/giuliani-maestoso-from>
~ Oleg TImofeyev and Jeffrey Cohan in Drouet's pyrotechnical variations
on God Save the King on these instruments.
Drouet's God Save the King
- - - - -
*St. Luke's Memorial Episcopal Church*
3615 North Gove Street in Tacoma
• suggested donation $15, $20 or $25 • 18 and under free • all
welcome! (a free will offering) www.salishseafestival.org/tacoma
Serenades at St. Luke's
//