/Tacoma • 2018
/Salish Sea/
Early Music Festival
JANET SEE///////baroque flute
///////MINDY ROSENFELD ////////baroque flute//
//JEFFREY COHAN /baroque flute/
/Baroque Flute Trios/
Sunday evening, February 11 at 7:00 PM
St. Luke's Episcopal Church//
in Tacoma/
Janet See Mindy Rosenfeld Jeffrey Cohan//
//
/~ Janet See, Mindy Rosenfeld and Jeffrey Cohan ~ /
*This Baroque Flute Extravaganza with three internationally celebrated
baroque flutists Janet See, Mindy Rosenfeld and Jeffrey Cohan along with
harpsichordist Jonathan Oddie will include trios for three flutes and
harpsichord by Johann Sebastian Bach, Georg Philipp Telemann, James
Hook, Joseph Bodin de Boismortier and others.
We are excited to be at St. Luke's Memorial Episcopal Church, which
provides the ideal setting and acoustic for this early chamber music. It
is an exact replica of an English country church that was built in 1883
and later moved stone by stone to its present site on North Gove Street.*
Sunday, February 11at 7:00 PM******* •/please forward/
****• Baroque Flute Trios •
Janet See~ /baroque flute
/Mindy Rosenfeld ~ /baroque flute/
Jeffrey Cohan ~ /baroque flute/
*/
/St. Luke's Memorial Episcopal Church
3615 North Gove Street in Tacoma
• suggested donation $15, $20 or $25 • 18 and under free •
/www.salishseafestival.org/tacoma//*/
****/
/~ Complete 2018 Schedule ~
Sunday, February 11, 2018at 7:00 PMat St. Luke's Episcopal Church
• Flute Trios •
Janet See ~ baroque flute
Mindy Rosenfeld ~ baroque flute
Jeffrey Cohan ~ baroque flute
Jonathan Oddie ~ harpsichord
– Fabulous baroque flute trios with harpsichord with renowned
flutists Janet See, and Mindy Rosenfeld of the Baltimore Consort.
~ + ~ + ~
Tuesday, March 13, 2018 at 7:00 PM at St. Luke's Episcopal Church
• Four Part Canzonas 1585-1625 •
Anna Marsh ~ dulcian
Courtney Kuroda ~ violin
Stephen Criswell ~ viola
Jeffrey Cohan ~ renaissance flute
– An in-depth exploration of the rarely-heard Italian four-part
canzona, inspired by four-part French and Flemish chansons, which
blossomed in print from 1582 to 1628 concurrently with increasing
activity among violin makers and players in Milan, Brescia and Cremona,
and with the emerging "baroque" style.
~ + ~ + ~
Sunday, April 8 (tentative), 2018 at 7:00 PM
• The Instrumental Air de Cour •
Susie Napper ~ viola da gamba
Jeffrey Cohan ~ baroque flute
– The intensely moving and intimate vocal French air de cour
inspired instrumentalists from the late 16th century and yielded trends
that resonated still in the early 1700's.
~ + ~ + ~
Friday, May 18 (tentative), 2018 at 7:00 PM
• The Capable Virtuoso •
Carrie Krause ~ baroque violin
John Lenti ~ theorbo & baroque guitar
Jeffrey Cohan ~ baroque flute
– Johann Mattheson's "The Capable Virtuoso", published in Hamburg
in 1720, sets the tone for this program of trio sonatas inspired by
Corelli and the idea that Italian, French, and German styles might be
fused in an integrated musical style.
~ + ~ + ~
Friday noon, May 25 (tentative), 2018at 12:00 NOON
• Bach's Brandenburg Concerto •
Carrie Krause ~ baroque violin
Jeffrey Cohan ~ baroque flute
Jonathan Oddie ~ harpsichord
Courtney Kuroda ~ baroque violin
Stephen Creswell ~ baroque viola
Anna Marsh ~ baroque bassoon
– The 5th Brandenburg Concerto by Johann Sebastian Bach and other
works for flute, violin, harpsichord and string chamber orchestra.
~ + ~ + ~
Monday, June 11 (tentative), 2018at 7:00 PM
• Frederick the Great •
Jefrey Cohan ~ baroque flute
Oleg TImofeyev ~ baroque lute
– Slvius Leopold Weiss, the most prolific and highly esteemed
lutenist of the baroque and teacher of Frederick the Great, wrote
sonatas for obbligato lute and flute from which this program branches
out to explore music at the court of the flutist King Frederick II of
Prussia.
~ + ~ + ~
/"A world of tender and brilliant magic ...//
//A music so refined, it draws and draws, yet never swamps the senses ...//
//"...such was the virtuosity and technical brilliance... I couldn't be
quite sure I hadn't dreamed it all."/
— Elizabeth Courtney, Music in Victoria • islandnet.com/miv
/"A lively and challenging programme ...elegant, thoughtful conversation
between the instruments ... intellectually gripping and as full of
nerve-tingling modulations. ... A widely expressive technique full of
nuance and subtlety ... a stylish and very engaging ensemble. Their
playing is impeccable in its ornamentation and articulation and
sensitive to the emotional core of the music ... but beyond that they
play with great verve and obvious delight in the music."/
— Elizabeth Paterson, Review Vancouver • reviewvancouver.org
/"A remarkably intimate and refreshing experience. There was joy and
love aplenty here, quite irresistible in its sense of innocence and
spontaneity. Jeffrey Cohan has such quickness and dynamic range, such a
keen control of accents, and such mastery at floating the soft limpid
phrase that the combination with Stephen Stubbs’ own brand of structural
solidity and insight gave us something pretty special indeed."/
— Geoffrey Newman, Vancouver Classical Music •
www.vanclassicalmusic.com