Earlier this month, VanityFair.com reached out to several reality-show
producers to get their thoughts on one of the genre’s most grandstanding
stars, Donald Trump, being elected president. After the piece was
published, we were put in touch with Emmy-winning executive producer Bill
Pruitt (The Amazing Race, Deadliest Catch), who worked on The Apprentice’s
first two seasons. While Pruitt, who has worked in reality television for
more than a decade, did not wish to speak about his own experience with
Trump—“What we all thought or heard or saw behind the scenes is pointless,”
Pruitt wrote, “He got elected and what’s done is done”—he did agree to let
VF.com publish the remainder of his e-mail, which we have reprinted below.
Below is what the producer wrote:
There’s a larger issue at hand: non-fiction or “reality” television has
obviously become a huge force in shaping the minds of the populace. The
Apprentice contributed to that. People lapped up what the producers were
putting out, and the danger became real as news directors, desperate to
compete with ratings, started putting music under soft news stories.
Facebook started pushing altogether fake news. Opinions on Twitter became
truths over lies. People were prone to clickbait no matter how salacious or
factually questionable it was, and the entire journalism world turned on
its head.
At the very same time, some clever producers were putting forth a
manufactured story about a billionaire whose empire was, in actuality,
crumbling at the very same time he took the job, the salary, and ownership
rights to do a reality show. The Apprentice was a scam put forth to the
public in exchange for ratings. We were “entertaining,” and the story about
Donald Trump and his stature fell into some bizarre public record as
“truth.” This is nothing new, and the impact it’s having on the history of
the world is best depicted in the Academy Award-winning film Network, a
satire.
Tom Wolfe’s The Bonfire of the Vanities tried to outwit the headlines, but
things have gone completely off the rails now with regard to how
storytellers have to work double time just to keep up with the awful and
true antics of Kanye West, the separating HGTV home-makeover couple, and
our president-elect. Desperate times call for desperate measures.
Supermarket tabloids are being thrust from the podiums of congressmen and
Supreme Court justices. Smart people are playing dumb. And now it’s pretty
safe to say that the man behind the curtain, Vladimir Putin, and his merry
band of hackers, has done a decent job of playing puppet master doing a
Jedi mind trick on the world so that he and Exxon Mobil could strike deals
that would make them and the other 1 percent more rich and powerful than
they already are.
So it’s more than just about lewd, lascivious behavior, and narcissism on
set. It’s about a complex global system that uses the media to construct
its allies and to sway the populace to move like lemmings toward the ballot
box. We are masterful storytellers and we did our job well. What’s shocking
to me is how quickly and decisively the world bought it. Did we think this
clown, this buffoon with the funny hair, would ever become a world leader?
Not once. Ever. Would he and his bombastic nature dominate in prime-time
TV? We hoped so. Now that the lines of fiction and reality have blurred to
the horrifying extent that they have, those involved in the media must have
their day of reckoning. People are buying our crap. Make it entertaining,
yes. But make it real. Give them the truth or pay the consequences.
I hope you appreciate where I’m coming from. My “Tweet Throat” moment when
I suggested to the news media that someone unlock the recorded behavior
found on The Apprentice tapes helped summon a bevy of stories about “what
really went on” behind the scenes of that series. That story’s been told.
What hasn’t been told (as much) is how complicit the media and social-media
outlets have been in getting us to where we are now.
--
Andrew A. Beveridge
President, Social Explorer, Inc
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