Mike,
Mike Monett wrote:
The Allen deviation is used to describe the performance of a stable
clock. Measuring the performance of a good clock requires a counter
with resolution down to picosecond levels. As Dr Griffith points
out, some modern counters may have internal signal processing that
makes them unsuitable for this task.
Hold on!
What modern counters do is to use various means to improve on frequency
and period measures. This makes the frequency and period measures
unsuitable for futher processing as well as evaluation of expected
performance when doing measures for Allan Deviation. However, what we do
is usually not that measure, we to Time Interval measures for individual
trigger points. When doing those measures these smoothing methods cannot
be utilized. Then you are running on the bare-bone hardware performance
with only the normal (traditional) translation skews.
I specifically cautioned Ulrich from making Allan Deviation performance
estimate from the frequency performence for this reason. The smoothing
will make such rule-of-thumb comparisions much harder.
Another thread discussed using a mixer to generate the difference
frequency between two oscillators, then measuring the stability of
the resulting beat note:
http://www.febo.com/pipermail/time-nuts/2005-July/019006.html
The basic principle is sound. If the oscillators were running at
10MHz, and the frequency difference was 1 Hz, then the beat note
would be 1 Hz.
This represents one part in 10 million, or 1e-7 of the original
frequency. If the beat note is measured with 1 microsecond
resolution, the overall resolution is 1e-7 / 1e-6 = 1e-13. This is
beyond the capability of most commercial counters.
The difficulty with this approach is the output of a mixer is at a
fairly low level, perhaps 50 millivolts or so. The frequency would
also be very low, perhaps 1 Hz. This means the counter would have to
trigger accurately on a very slow-rising, low amplitude signal.
This is not the actual problem. The actual problem is the slew rate of
the signal. Even if the amplitude was several volts peak-to-peak the
slew rate of the beat note is the main problem as the wideband noise of
at the output added with the wideband noise of the counter input causes
a random additive voltage modulation which can pre/post trigger around
the ideal position with a RMS value of t_jitter = N_total / SR (this is
a traditional trigger jitter formula).
The gain stages / slew rate amplifiers that Bruce and I have discussed
contributes a significant gain which significantly goes beyond what a
can come out of a mixer. Signal is clipped and filtered in order to
improve signal to noise properties such that a minimal of noise is
amplified while the slew rate is raised significantly.
This is a very difficult measurement problem. The accuracy will be
degraded by noise, such as the 60Hz AC line frequency and its
harmonics, switching noise from the pc power supplies and monitors,
radiation from nearby fluorescent lighting, plus thermal noise from
the mixer and input stage of the amplifiers.
Not too hard really. The thing which makes it complex is that good
signal to noise is needed both at the carrier frequency and beat
frequency. Some knowledge of suitable measures should give adequate
measures.
This low-level noise is very difficult to eliminate, especially when
coax cables are needed to transfer the desired signal from one place
to another. The result is the measurement system is not as good as
it could be.
Is it? Fighting ground loops to handle H fields is no big magic. Using
mixers which ports is galvanically isolated helps. E fields is easier to
handle at lower frequencies.
For the output port, the difference frequency needs the signal to noise
properties. Traditional diffrential signal handling deals with both E
and H field issues to such a level that other sources will dominate.
It should also be pointed out that carefull adjustment of both input
port levels and the loading on the output port will have impact on
performance as recorded in literature.
There is a solution to this problem. Another kind of mixer called a
"digital mixer" is ideally suited for this application. It uses a
d-flop, with one signal going to the clock pin, and one going to the
"D" input. The resulting signal on the "Q' output is the frequency
difference between the two signals.
The output signal is a full logic level swing, perhaps 5 Volts, with
a risetime of a couple of nanoseconds. This is an ideal signal to
pass on a terminated coax cable to the counter. The schematic and
waveforms are shown in the attached GIF.
You will not solve the requirements for good dynamics. The digital input
is highly non-linear and thus behaves like a mixer so due care is still
needed, both at the beat frequency and carrier frequency. The benefit is
the high slew rate.
It behaves like a sample and hold system, but with the quantization
occuring before the sample action rather than after, which would could
debated which is best, but the sampling action is certainly the mixing
action causing problems, regardless of methods it is realized through.
Regardless of method, to achieve performance, you would need to maintain
a certain degree of signal hygene to achieve the inteded or possible
limit of the system.
The output of the first d-flop is passed to a second d-flop to
eliminate glitches due to metastability in the first stage. This can
occur when the signal on the "D" input is exactly on the switching
threshold when the clock transition occurs. The resulting glitch can
severely disrupt the following logic stages.
In practice, it might be difficult to offset two stable oscillators
by 1 Hz. In this case, the frequencies can be multiplied to some
higher value. For example, the frequencies could be multiplied by a
factor of 10 to 100MHz, and offset by 1 Hz.
There may be some jitter in the leading edge of the beat note since
the d-flop may or may not catch the transition as it crosses the
threshold on the "D" input. Instead of the standard +/- 1 clock
ambiguity in digital circuits, the output could be several clocks
late. However, if the counter had a resolution of 100 nanoseconds
(10MHz clock), the extra delay is much less than the counter
resolution and should have no effect.
No, they add up unless you use the CLK signal for couting the beat
frequency, in which case this is really the input trigger of a
non-interpolating counter. If you use different clocks the beating
pattern between them will introduce the additional noise signal.
The overall resolution in this example would be 1e-8 / 1e-7 = 1e-15.
This is achieved in one second, which is an impossible task for a
counter. This means the Allen deviation can be measured much faster
than before, and with much higher accuracy.
A simple LTspice analysis is included in the attached ZIP.
Where is the added noise? What D flip flops do you use? What is the ref
inverter and what properties does it have?
It's an analogue world after all, so we need to evaluate it as an
analogue system.
Cheers,
Magnus
Magnus Danielson magnus@rubidium.dyndns.org wrote:
[...]
It's an analogue world after all, so we need to evaluate it as an
analogue system.
Cheers,
Magnus
Magnus,
Thank you for your reply. I challenge you to a duel. Picoseconds at
50 paces:)
You build your system and show the results. I should have my
complete system running by Christmas, and will post everything.
Perhaps we can agree on a common set of oscillators. I will have an
old LPRO Rubidium and two IsoTemp 134 OXCO's from eBay, plus GPS
time.
Bet I beat you:)
Best Regards,
Mike Monett
At 04:17 PM 10/11/2008, Magnus Danielson wrote...
It's an analogue world after all, so we need to evaluate it as an
analogue system.
I take it you don't agree with quantum theory (mechanics,
electrodynamics, chromodynamics, etc.)?
I suppose we're still far from measuring at the scale of Planck time,
so it's hard to prove one way or the other. Still, quantum physics has
been empirically useful where analog physics fails.