Elena Zhukova
— HARPSICHORD MYSTERY —
· Olena Zhukova, harpsichord
Byrd, Couperin, Rameau, Scarlatti, Bortnyansky
— *EUROPEAN TOUR *—
· Olena Zhukova, harpsichord
· Jeffrey Cohan, baroque flute
Corelli, Boismortier, Oswald, Handel, Bach, Berezovsky
Dear Friends,
Ukrainian harpsichordist Olena Zhukova's visit has been postponed due to
extended processing time for her visa in the United States. We're very
excited to reschedule as soon as this comes through! This will affect
our March 31 performance for sure, and most likely April 7 as well in
which case we'll move to June. We'll keep you posted! with immediate
updates on the website.
**Mason United Methodist Church
2710 North Madison Street in Tacoma
www.salishseafestival.org/tacoma http://www.salishseafestival.org/tacoma
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Olena Zhukova who lives in Kyiv and is possibly the leading Ukrainian
harpsichordist, is a tireless ambassador for early music in her country
and abroad, particularly during this difficult period, and we are indeed
excited and honored by her visit.
Olena has performed since the outbreak of full-scale war in prominent
performances sponsored by distinguished institutions all around Ukraine,
Poland, Austria, France, Switzerland and Czech Republic for
international festivals and in collaboration with major artists,
orchestras and opera productions. Ms. Zhukova is also an accomplished
scholar who has published and presented more than 20 articles, while
devoting herself to her harpsichord class and chamber music students as
Associate Professor at both the /National Music Academy of Ukraine/ and
the /Gliére Academy of Music/ (Kiev), where she founded the harpsichord
class. Engagements during the past few months alone include Bach's
Goldberg Variations in the prestigious /Organ Hall/ in Lviv, Ukraine;
the first major classical performance for the public in Chernihiv,
Ukraine since the outbreak of war entitled /French Music in Times of
War/ and sponsored by the Ambassador of France, in a newly rebuilt
performance hall in Chernihiv that had been extensively damaged by a
Russian strike at the beginning of the conflict; and an involved program
of exclusively new music for solo harpsichord in part composed for her
by today's Ukrainian composers, for Columbia University’s /Global Center
in Paris/ and its /Institute for Ideas and Imagination/.